30 December 2019

Review: The Armored Saint

The Armored Saint The Armored Saint by Myke Cole
My rating: 4 of 5 stars

Short, well-paced and tightly-written, I have to admit this fantasy story was a bit of a surprise to me. The ARC of Sixteenth Watch didn't really woo me, but I thought I'd give the author another go, and the eye-catchy cover of this book drew my attention the most. Boy, was I not disappointed.

From the very first chapter, the story propels itself forward, introducing in short order the most important elements of the tale. Our oppressive and zealous antagonists nominally devoted to Imperial Writ, our heroes (or heroine, really) and their chafing and foolishness beneath their oppression, the point of conflict and the general way of things in the world. The author weaves all this disparate elements into a well-constructed narrative that never stalls and is never overburdened by exposition. Just action begetting action. In one fell swoop, we are introduced to all the good and bad in Heloise, our MC, traits that will naturally keep the story turning on its wheels in a way that for the most part felt refreshingly natural and didn't rest (too much) on silly or stupid plot twists.

Personally, I liked Heloise from the start, though some of the developments she goes through did test believeability or seemed a little too shoe-horned for subsequent plot events, but they were still interesting and well-written so the flaws are easy to forgive. The rest of the cast never felt cardboard-ish, but for the most also never really gathered the same level of importance or spotlight as our main character.

The setting was also rather well developed, if a little bit too reminiscent of 40k at times in regard to powered armour, deified emperors and forbidden magic. However, this could be entirely subjective on my part, as none of those elements on their own are particularly distinctive of warhammer.

All in all it was a very enjoyable book, and I am definitely looking forward to see where the second entry in the series will take things.

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29 December 2019

Review: Essex Colony

Essex Colony Essex Colony by Lia Cooper
My rating: 4 of 5 stars

[Received an ARC from Netgalley in exchange for an honest review]

Surprisingly effective and dare I say cute fantasy scifi love story with suspense and action elements. At least, this was my takeaway after I finished reading it. The characters and plot were captivating thorough, though character exploration is ultimately where this little gem truly shines, and the plot feels more like a vehicle to get there . I really enjoyed Soran as a main character, and enjoyed looking at things through her point of view. Her relationship with Aline was also explored in an interesting way, the back and forth between present and past somehow managing to keep things interesting enough despite how easily (and often) such a tactic can become simply annoying.

Though the story was overall both satisfying and entertaining, I think the climax hung a little loose. I expected a bit more than what we go. In that regard, the denouement to me also feels like it was a little rushed for the sake of the cliffhanger-ish ending.

All in all, a very enjoyable story. I will look forward to other things from the author, and hope she continues exploring this setting, and maybe shows us more from the particular point of view of the characters we got to know here.

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25 December 2019

Review: Sixteenth Watch

Sixteenth Watch Sixteenth Watch by Myke Cole
My rating: 3 of 5 stars

[Received an ARC from Netgalley in exchange for an honest review]

Summary: Set twenty minutes into the future, so to speak, Sixteenth Watch is a solid military fiction book with scifi elements, more so than science fiction book proper, one that attempts to juggle a futuristic plot concept and wrap it around a core of familiarity with the present. The idea of trying to imagine how things in the military could be based on how they are now is intriguing, and the book definitely does its best when deep in the action or in the moments of political tension between the branches. I would like to see where the author could take the setting in the future, and the way the story ends makes me wonder if perhaps he is planning to find out. However, what makes the novel is also in some ways what threatens to damn it. The over-use of acronyms in particular is like to be off-putting for people not familiar with them, and might well dilute whatever enjoyment they can get from the book as having to constantly flip over to the end of the book just to understand what the hell the characters are saying is severely off-putting to say the least.

Prose: There were a few scattered typos, but nothing terribly obnoxious or pervasive. More troublesome than that is the fact I see no reasonable excuse for an epub to not have each instance (or at least the first instance) of every acronym linked to a definition in the glossary. Obviously, people familiar with the terms will not need them, but I'd hazard to say most people who pick up the book wont be familiar with the terms, and in a book so heavy with acronyms, expecting people to go back and forth manually seems like a gross oversight. In general, while I respect what the author was trying to achieve, I feel like overall they work against the story more than for it, but again that might just be because I have little familiarity with the Service. 3/5

Plot: I have mixed feelings about the plot. Or more exactly about the way the plot peters out in the end. On one hand, as mentioned, the overall concept is really appealing, and the execution of the latter parts of the novel in particular kept me well interested. Ironically, it is as the story progresses that it starts to feel more and more like the novel has forgotten its own plot. Like the author is simply meandering from here to there until he finds an arbitrary spot he likes in the regolith. I am fully aware this is an odd complaint, as the latter parts of the book are the more action-packed and generally speaking the ones I liked best, but meandering is ultimately unsatisfying, and the bits of action ultimately don't save the whole from the feeling of... 'what' when you suddenly stumble into an epilogue that feels like the end of a chapter more than a proper cliffhanger. 2/5

Pacing: I found the first 1/3 of the book to be both rather slow and really uninteresting in comparison to the rest of it. It felt like the author wasn't really sure of the best way to start off the story. He definitely didnt know how to end it either, but once pas the introductory bit, at least, things start picking up at a nice enough rate. 3/5

Characterization: I generally enjoyed Jane's character, as well as Ho's. Their dynamic with each other is specially entertaining. The rest of the cast seemed much less developed, sometimes verging dangerously on flat. specially her team. None of them are particularly memorable or interesting, and could in most cases likely be encompassed with one or two words. 3/5

World-building: As mentioned in the summary, the concept itself is one of my favourite parts of the book. I hated the way the acronyms were presented, sure, and the acronyms were there partly to deliver a certain believability to the speech pattern of officers in the military, but thats more of a technical flaw they could easily fix, specially in the electronic version of the book. I also really enjoyed the little snippets we get at the beginning of each chapter, as they really do help to flesh out the peception we have of this slightly more futuristic earth. 4/5

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14 December 2019

Review: Aster of Pan V1

Aster of Pan V1 Aster of Pan V1 by Merwan
My rating: 4 of 5 stars

With its ironically warm, if slightly washed-out palette and charismatic art style, Aster of Pan pulls reader into a post-apocalyptic world ravaged by an as-of-yet not really delved into catastrophe, though likely military in origin. Not a lot actually happens for most of this first volume, we mostly see the ruins of the world as a duo of scavengers roam in search of relics they can sell or exchange for rations. The author takes its time in building and establishing aspects of the world while giving the reader a tour-de-force around some typical locales. This makes the volume to feel somewhat dull at first, but the arty style saves it from being boring.

Overall, there's enough promising tidbits to make up for an enjoyable read, though I have to admit the big bad being obsessed by sports stroke up the silly chord in me.. And of course, there's the pretty the arty style. Whether the title will take advantage of its pluses remains to be seen, but it is only fair to give it a vote of confidence and enough time for it to fully find its feet.

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13 December 2019

Review: Crooked Hallelujah

Crooked Hallelujah Crooked Hallelujah by Kelli Jo Ford
My rating: 3 of 5 stars

Flawed but beautiful, Crooked Hallelujah is an intimate road trip of a book portraying the stormy life of three generations of Cherokee (though this fact actually barely features in the narrative itself) women hailing from Oklahoma. Sporadically narrated by a variety of tertiary characters, we most often look through the eyes of either Justine or her daughter Reeny as they each attempt to find their way in the world.

To my mind, two things make this book both special and poignant. One is the sweet simplicity of its prose. There's no overwroughtness here, no artificial desire to dress up the writing in more layers than it needs. Its sharp and uncompromising in parts, and it lays things bare instead of padding them up. Ironically, this results in something that is far from dry or boring or dull despite some part of me actually that it should be boring or dull. I think that is remarkable.

The other one is the characterization itself. Simply put, it feels like the author has really tapped into the minds of Lula, Justine, and Reeny, and like a magnet, we are simply drawn to learn about them. That is how I felt, at least.

Unfortunately, there are also two glaring flaws that kept this book from being truly outstanding. First and foremost, are the narrations from the tertiary (at best) characters like Moses and Ferrel that not only break away from the book's subject matter, but they don't really add anything in return. I kept hoping they would be made relevant, but by the book's end this simply did not happen. I can't help but think those chapters could have been better utilized by exploring more about Reeny, who basically carries the first half of the book and then disappointingly fades for long swathes of the second half.

The second flaw is more insidious. Up until about the halfway point of the novel, I feel like I can put a finger on what the author is trying to do, and the author herself also knows both what she is trying to do as well as how to do it. But this certainty vanishes as the book starts to resemble a random assortment of jumps between various loosely-related characters more the character-driven... something it really wanted to be.

It was sad, really. I will look forward to what the author writes next, certainly, and hope that perhaps next time she is better able to keep the writing from running off a side-path.

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9 December 2019

Review: Spear of the Emperor

Spear of the Emperor Spear of the Emperor by Aaron Dembski-Bowden
My rating: 5 of 5 stars

[Received an ARC from Netgalley in exchange for an honest review]

Framed as the memories of an ancient thrall in service of the Mentors Chapter, Spear of the Emperor tells the story of an expedition that has braved the Straits of Epona, crossing the Cicatrix Maledictum to reach the Darkened Imperium beyond and establish communications with the Adeptus Vaelari stranded there.

Seen through the eyes of Anuradha, Helot Secundus to Amadeus Kaias Incarius, the story brims with some of the themes that make Warhammer 40k such an interesting setting to read about: Hope in the face of hopelessness, freedom in the face of slavery, defiance in the face of impossible and heart-breaking odds. It is a heartfelt and beautifully-executed look at the cogs of the machine, so to speak- the Astartes, their thralls, the worlds they come from. Their tales are painfully their own, as they always are on the best stories, but they are also evocative of the larger universe they live in, of an Imperium perpetually on the brink, and of the many sacrifices that must be made in the name of keeping it running, as one characters put it, from day to day, sometimes from hour to hour.

There is no endless orgy of blood to be found here. Blatant violence, when it happens, its usually swift and brutal, a punctuation sign to that which preceded and that which will follow, but the book is all the better for it, for the focus are unashamedly the characters, not the arsenals, their triumphs and their tragedies as they strive to eke out some manner of personal meaning in such a hostile world.

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6 December 2019

Review: Dark Harvest

Dark Harvest Dark Harvest by Joshua Reynolds
My rating: 4 of 5 stars

[Received an ARC from Netgalley in exchange for an honest review]

Summary: This story had all the classic elements of horror. The decaying, decrepit town was of course present, as were the hostile, unhelpful inhabitants and the secret cult. So were the troubling dreams had by our main character, the dread visions caught at the corner of the eyes. But these elements, unsurprising and almost token in their predictability, were woven very effectively into a compelling narrative that kept me faithfully turning the pages. They provided a journey that is likely to be of great interest to people who crave this kind of horror in a non-urban setting.

Prose: Perhaps one of my favorite elements in the book was the prose itself. The author manages to capture and paint a vivid picture of the story events and the dreariness of Wald in a way that really made the place pop in my mind. It sure made for an enjoyable read. The word green was utterly ubiquitous, but I suppose could not be helped. 4/5

Plot: As mentioned above, the particular elements of the plot fall on the table almost as a matter of course. This by itself is not necessarily a bad thing, though at times it did feel a bit too by-the-book other than the fact it was taking place in a fantasy setting. There was a points that soured my enjoyment of the story, however. (view spoiler) 3/5

Pacing: The story felt a little plodding near the beginning. Though Harran is a very interesting character and viewpoint for most of the story, the very start of it felt a little too studded with banal introspection. 3/5

Characterization: The characters were without a doubt the most enjoyable aspect of this story, alongside the prose and the world-building. Harran, specially, and I can't help but wonder if we'll see him again in another book. 4/5

World-building: Though this was the first book I've read set in the Warhammer Fantasy universe, I feel like the author did a particularly excellent job in providing flourishes of memory of Harran's previous life to embellish his present situation and his character as a whole. The same goes with the information he provides regarding the different creatures and the setting. 4/5

Final Score: 3.6/5 rounded to 4/5.

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3 December 2019

Review: Cadia Stands

Cadia Stands Cadia Stands by Justin D. Hill
My rating: 2 of 5 stars

Summary: I will be frank, this book was a severe disappointment to me. Maybe I just came to it with the wrong expectations, maybe I am not really the target for this kind of book. Anyway, the fact remains that there is very little I find memorable in this book. There are no great descriptions, no great characters, no great dialogue, no great prose. The author just throws names and explosions and disjointed scenes with recurring characters that are minimally developed and calls the job done. It tries to paint the very grim picture of Cadia's fall, but somehow it manages to paint all the epic fighting and doomed resistance in an amazingly boring light.

Prose: The book is written in an astonishingly dry fashion. The author really doesn't spend any time being descriptive. He goes briskly about painting the barest hints of scene, then proceeds onto the events, narrating them with equal briskness. For the first half of the book we are mostly treated to disjointed vignettes of characters used to show us the progress of the war, but again, the author goes about this in a way that feels almost perfunctory, not memorable in the least. 2/5

Plot: The plot is literally the doomed, grimdark resistance and ultimate fall of Cadia as seen through a handful of hardly-developed characters. None of which is told in a particularly memorable manner. I mean, take the pylons. They are introduced as important to the standing of the Cadian Gate, but the plot opts instead for a diabolus ex machina destruction instead of properly integrating the pylons more directly into the fall of the planet. As it is they are completely left by the wayside. Really, I feel like the whole plot is an excuse to write numerous vaguely interconnected after-reports set on the Warhammer 40k universe. 2/5

Pacing: As mentioned, the book is really brisk, it never lingers too much on any character or even on any particular event, and as such most of everything lacks any kind of emotional impact. 1/5

Characterization: I'd hazard to call what we have in the book more viewpoints than characters. Obviously, they are characters, but none of them are particularly developed, they all have the same basic drive and behave in basically the same fashion, effectively making it very easy for one to blend into the other. 2/5

World-building: The book does a half-hearted attempt at painting an image of what life is like on Cadia. I think it fails, much like most of the rest of the book, because as mentioned above the prose is brisk and dry, and it never really stops being so. The meager information feels like you are reading an exceptionally boring tourist brochure for an imaginary place. 2/5

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1 December 2019

Review: The Fifth Season

The Fifth Season The Fifth Season by N.K. Jemisin
My rating: 5 of 5 stars

There are really no words for this book, except to say it was stupendous in every way that counts. Really, what follows is basically me just praising the book and everything in it. If you have no stomach for such, just know that I honestly believe it is worth a read for anyone who likes fantasy, but specially character-driven fantasy.

With that out of the way.

From characters to plot to writing to pacing to world-building and every conceivable thing in between, it all shines.

Sure, some things might take a bit of effort to get used to (it might well be the first novel I've ever read written with a second person pov, even though I am familiar with Choose your Own Adventure books written with similar styles) but I honestly did not find them jarring as some others apparently have. Sure, it was unusual, but for me it ended up being another bit of strangeness that effectively added to the story, and the fact that two of the three point of views were written in more conventional pov hinted to the fact there was a point to the strangeness. I was not disappointed.

The plot was entrancing, and I thought the way the author introduced us to it was stupendous as well. This is a story about the end of the world... But what does that mean, exactly? And then the author walks us through all the possible meanings, all of them spectacularly interwoven. The intimate, heart-wrenching end of the world for a mother who comes home after a long day of work only to find her son has been beaten to death and her daughter kidnapped by her husband, the wider cataclysm that serves as backdrop as the massive super-continent in which the story is set is wounded and riven in such a way as to bring forth the latest and perhaps the worst in a long series of disasters. And then planetary... except not. As the author helpfully informs us, the phrase 'the end of the world' is usually an exaggeration at best and a lie at worst, because the world will eventually straighten itself out. It will not 'end'. It is only the people in it who will.

But the author also reminds us that from every ending, no matter how big or small in scope, comes a new beginning. And I think this is as much a theme of the story as the rest. And so start each of our three pov characters, each having already tipped or tipping into and end, and then struggling to make some sense from it, wrench back some meaning from which they can carve their life.

So yeah, this was probably the most ramble-y review I've done in a while, but the short of it is go read it.

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Review: A Gathering of Shadows

A Gathering of Shadows A Gathering of Shadows by V.E. Schwab
My rating: 2 of 5 stars

I am a bit torn regarding this book. I relish the setting, and the writing. But the plot was an abysmal let down. Not that the first book was perfect, either, but the first book had a certain freshness to it, and in any case, it did not have the flaws I felt in this one.

Most of the plot here felt meandering, meaningless. A journey without a destination. Specially so near the first half of the book. Alucard never really manages to be an interesting character, everything related to him feeing mostly tacked-on. All the allusions to his past hint to a big reveal that ends up being mostly disappointing too. The only really redeeming qualities are the few White London snippets we get on the way, always so disappointingly short.

During the second half gets a little better, but even then, things mostly feel purposeless, and again, the various allusions to political danger end up being completely irrelevant. I can understand that the author might have been setting up for the third book, but in a way that is how the whole book felt like, and it was disappointing. (view spoiler)

In the end, much like in the first book, I find Holland to be the show stealer, and again find myself wishing the story had been centred on him and his White London instead. Hell, I found myself wishing that Kell would somehow get possessed by the Dark Magic thing just so that Holland be spared, and perhaps redeemed.

Here's to hoping the third, and likely final entry will redeem the series.

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Review: A Head Full of Ghosts

A Head Full of Ghosts A Head Full of Ghosts by Paul Tremblay
My rating: 3 of 5 stars

Having read the book in full, I still don't know what to think about it. I still don't think it is scary, and the fact I expected it to be so, or to be more traditional horror in some way, probably colours how I feel about it. I don't think it was badly written by any stretch of the imagination, and when I stopped looking for the scary and just settled into the story I started really enjoying. Some scenes were particularly well-done, but more than anything else, I found the book to be terribly poignant, and more dramatic than scary.

The ending was the equivalent of a surprise gut-punch no matter how much I braced myself for it.

My only criticism is that at some points the book, much like the in-universe shows, seems to fall into a sleepy lull, but again, this might have more to do with my mistaken expectations than with any fault in the writing.

So if you are going to read this book, don't actually read it for the scary-ness/horror factor. Read it as drama and treat it as such, that way you wont have betrayed expectations colouring how you feel about it.

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Review: Silver on the Road

Silver on the Road Silver on the Road by Laura Anne Gilman
My rating: 3 of 5 stars

This book had a marvellous premise, interestingly woven character and excellent prose. All brought low by the plot's execution. I honestly felt like the instances where something was actually happening were few and far between. Those instances were without a fault intensely engaging and interesting. But the rest of the time was spent on what felt like aimless, purposeless wandering.

I know we are probably meant to see Iz's growth from a child who had never left Flood to a proper rider, but like in God's War, the previous book I read, we mostly just see a lot of moving around. Waking up, preparing camp, random bit of world-building, moving on, rinse, repeat. Granted, there's a point to all the moving, but the fact remains there's little to no actual advancement of the book's apparent plot for most of the book itself, the important scenes peppered in between a whole lot of nothing. And no matter how prettily written it is, it still is mostly uninteresting. Even if it compels you to read on somehow.

I'll admit, I feel a little guilty writing this. I don't know whether I am simply being too harsh on the book. Perhaps there's just some genre convention that I am missing. It is possible, as I honestly just decided to read it based on the premise and little attention was paid to anything else. But in any case, for the few interesting scenes, and the engaging characters (I loved Farron and Isobel) and the premise itself, and the hope that the second book will redeem the failing's of the first, I give it three stars.

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